|Pakistani-American Mir Zafar Ali With His Oscar Award For Frozen|
Mir Zafar Ali worked at Karachi production houses Sharp Image and Nucleus Media where he created visual effects used in popular television commercials. In 1999 he came to the United States to study film arts at Savannah School of Art and Design (SCAD) in Savannah, Georgia.
In addition to his Oscar-winning hits, IMDB lists Mir Zafar Ali's other credits as follows: "Percy Jackson: Sea of Monsters" , "The Cabin in the Woods", "Alvin and the Chipmunks: Chipwrecked", "X-Men: First Class", "Hop", "Yogi Bear", "Aliens in the Attic", "Land of the Lost", "The Mummy: Tomb of the Dragon Emperor", "The Incredible Hulk", "Surf’s Up", "Spider-Man 3", "Ghost Rider", "Open Season", "Monster House", "Stealth" and "The Day After Tomorrow".
Mir is on a growing list of Pakistani-Americans making their mark in entertainment and sports. Kumail Nanjiani, a Karachi-born comedian, is currently starring in an HBO comedy series "Silicon Valley". The new Ms Marvel Kamala Khan is a Pakistani-American character co-created by another Pakistani-American Sana Amanat. Lahore-born billionaire Shahid Khan has made history by becoming the first non-white owner of an NFL franchise team when he bought Jacksonville Jaguars in 2011.
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Do you remember Angelina Jolie as the fabulous Disney villain in this year’s Maleficent? Do you also remember the three fairies Princess Aurora was sent to live with until her 16th birthday?
Whether you enjoyed the film or not, there is no denying that some groundbreaking animation and visual effects were used in the making of the film – and it was no other than a Pakistani software engineer, Novaira Masood, and her team, who were behind the stunning, innovative production.
Not only this, but Novaira has also worked on visual effects for some popular Hollywood films, like A Christmas Carol, Mars needs Moms, Thor, Transformers 3 and Jack the Giant Slayer.
Novaira studied software engineering from Fast-NU, Islamabad, before she went to the US to pursue her Masters degree from the University of Minnesota.
Following her friends and also her parents’ advice, Novaira entered the field of Computer Science and only developed interest in Computer Graphics in her final year at college.
“I really like writing code that has instant visual feedback and I liked making things look better and more realistic,” said Novaira, who is currently based in Seattle in the US.
Having been in the field for six years, Novaira has worked in multiple areas of visual effects, but her main focus has been on performance capture software, a technique used to capture live human body and facial data to apply onto animated characters in order to make the animations look more lifelike and realistic.
This technology was also used on the fairies in her most recent project, Maleficent.
“I was part of the R&D (Research and Development) software team for Maleficent. I was involved with the team that developed the facial motion capture tools to drive the facial animation of the fairies,” Novaira elucidates. “I also worked on some hair tools that helped generate curly hair for the fairies.”
Novaira also worked on the software that allowed the artists to lay out the feathers on Maleficent’s wings in such a way that they would not intersect with one another. The feather solution, however, was not used on the final character.
“As part of a research team, the goal is to come up with innovative solutions to a problem. Not all the solutions end up being used in the final production,” she admits.
Talking about the team, Novaira said the software team develops the back-end software, and there are usually four to five software developers per software.
“Once we develop the software, the artists use it to achieve the look that the director wants,” explains Novaira.
“This involves multiple disciplines like modelling, layout, rigging, animation, lighting and effects etc. There are many people involved in putting the final images on the screen.”
This summer, when the audiences see the The Hulk and the Hulkbuster going head-to-head in The Avengers: Age of Ultron, they would be well advised to remember that a Pakistani visual effects artist played an integral part in making that scene a reality.
Originally from Lahore, Wajid Raza has now settled in the United States and is working at Industrial Light & Magic (ILM), a motion pictures visual effects company and a division of the Lucasfilm, something which would be a source of envy for countless fanboys.
Speaking to The Express Tribune, Raza shared the humbling experience of contributing to films like The Avengers, Rango, Star Trek Into Darkness and Teenage Mutant Ninja Turtles in multiple capacities.
Since getting his first major break as part of ILM’s team for their first feature-length animated film Rango in 2011 he looks back at his career thus far saying, “Working on that project was both very challenging and enjoyable.”
From then onwards Raza has gone onto lending his skillset to even greater franchises like the Avengers and Star Trek as lighting technical director and pipeline technical director respectively.
Despite holding a Master of Fine Arts from the Savannah College of Art and Design (SCAD), digital arts and visual effect was not something straightforward for Raza. The ‘sub-continental culture’ of choosing between engineering and medicine did come into play and he acquired a degree in computer sciences from the Government college of Lahore.
“After I finished my bachelors program, my parents supported me to pursue my passion of studying computer graphics. And one thing led to another, and I was able to land a job at ILM,” recalls Raza.
Though it was not until he saw Lord of the Rings during his second year in undergraduate college that he realised that visual effects may be his ‘true calling.’
“It seemed like the perfect meeting point of my two interests. So I waited two years to finish my undergrad, got accepted for an MFA program at SCAD and used it as a stepping-stone for my career,” told the young VFX artist.
Despite making it to the big leagues in the visual effects industry it has not always been smooth sailing for Raza as he recounted how initially working at ILM with no prior experience was ‘an overwhelming experience’ for him.
But like all things Raza gradually found his feet due to the highly collaborative workplace environment there. “The work culture and values at ILM are still unparalleled in the industry.”
Raza’s career seems to be coinciding with the revival of the Pakistani film industry but he believes that the industry is still in its infancy from a VFX standpoint.
All of us know that the legendary singer and global icon Nusrat Fateh Ali Khan had composed music for Dead Man Walking, Bone Collector, and Last Temptation of Christ. And we also know that the youth icon Atif Aslam sang for Man Push Cart and The Reluctant Fundamentalist.
But do you know of Pakistanis other than Adnan Siddiqui, Faran Tahir and Sharmeen Obaid Chinoy who made it big in Hollywood? Chances are slim, we bring you 10 unsung heroes who are making Pakistanis across the world proud.
1. Syma Chowdhry
The news reporter in Philadelphia at KYW-TV, initially appeared on MTV’s Rachael Ray Show and Law & Order. She got her big break in 2011 by becoming a news anchor at CBS for the First Forecast Mornings show in Detroit station. She has also participated in a number of beauty pageants and was the 1st runner up in the Miss Pennsylvania USA pageant.
2. Kamran Pasha
The Karachi-born popular screenwriter, director and novelist has written and produced the NBC series Kings. Some of his other works include NBC’s Bionic Woman, The CW’s Nikita, Disney’s Tron: Uprising and Sleeper Cell – nominated for the Golden Globe and Emmy Awards in Best Miniseries category in 2005 and 2006.
3. Iqbal Theba
The actor is known as Principal Figgins in Fox series Glee. He has appeared in 58 episodes throughout the six seasons. He rose to fame after appearing in Friends and Nip/Tuck. He was featured in other famous shows including, The George Carlin Show, Married With Children, ER, Two And A Half Men, Seinfeld and Everybody Loves Raymond. He was also seen in Transformers: Dark of the Moon.
4. Ayad Akhtar
The writer and actor is the proud recipient of 2013 Pulitzer Prize for Drama. He has written plays for the stage including Disgraced, The Invisible Hand and The Who and The What. He made his debut as a novelist with American Dervesh in 2012.
5. Mir Zafar Ali
If you have seen The Golden Compass, Spiderman 3, X Men: First Class and Life of Pi, you should feel proud to know that the visual effects were created by none other than a Pakistani specialist.
6. Novaira Masood
The credit of portraying Angelina Jolie as the picture-perfect villain in Malificent goes to none other than software engineer Novaira. She worked with her team to create inimitable special effects. She has also worked on other Hollywood films such as A Christmas Carol, Mars needs Moms, Thor, Transformers 3 and Jack the Giant Slayer.
7. Gabe Grey
Syed Fuad Ahmed — now known as Gabe Grey — was born in Karachi. The 32-year-old actor was seen in The Haircut, One Last Shot and Bomb Girls: Facing the Enemy. He has also attended the Model and Talent Search Canada in 2005. He will soon be seen in Deepa Mehta’s directorial Beeba Boys alongside Ali Kazmi.
8. Umar Khan
Umar got his big break by playing the lead role of Robert Martinez in Veracious Perception. He was also seen in the films Miami Heat, The Hitman, The Test, Deliver Us From Evil, Captain America: Civil War, The Hunger Games: Mockingjay and District Voices. The Lahore-born actor also possesses martial arts skills.
9. Sadia Shephard
The New York City-based filmmaker and author has written The Girl from Foreign: A Search for Shipwrecked Ancestors and Lost Loves. She has also produced the documentary The September Issue that featured the making of Vogue. It has won the Excellence in Cinematography Award at Sundance Film Festival in 2009.
10. Sameer Asad Gardezi
The screenwriter has written for some of the popular television series such as Aliens in America, Mr. Sunshine, Outsourced, Save Us, then the Whales and Emmy Award-winning series Modern Family. He has also won an award for his short film Equal Opportunity. Sameer is currently working on Fox’s Goodwin Games.
Meet Sana Amanat, the Shonda Rhimes of #Marvel comics. #Pakistani-#American http://www.vox.com/2015/11/19/9757682/sana-amanat-marvel?utm_campaign=vox&utm_content=feature%3Atop&utm_medium=social&utm_source=twitter … via @voxdotcom
As a woman and a Pakistani American, Amanat has made it her mission to redefine what is possible for women and people of color in an industry dominated by white men. Through her work as an editor on comic books like Captain Marvel, Hawkeye, and Ms. Marvel, she has helped reimagine what superheroes can be. Last year, the first issue of Ms. Marvel — a series and character that Amanat co-created with editor Steve Wacker, writer G. Willow Wilson, and artist Adrian Alphona — went into its seventh printing, a level of success that's extremely rare. Earlier this year, Amanat was introduced to National Book Award winner Ta-Nehisi Coates — that initial introduction would later develop into a successful deal orchestrated by editor Will Moss, Marvel's VP of Publishing Tom Brevoort, and Editor-in-Chief Axel Alonso to bring Coates to Marvel and write the new Black Panther comic book series.
"My long title of director of content and character development — I always forget it," she tells me about four weeks after New York Comic Con. I've caught her on a busy Monday.
"I still double-check my card and ask, 'What am I?'"
"Just call yourself Ms. Marvel," I joke.
"That's what my nephew calls me. He's 5 now. It's super cute. I think he's kind of messing with me."
He's onto something.
Sana Amanat is the Shonda Rhimes of Marvel comics
There's something poetic about the fact that Amanat is a huge fan of Shonda Rhimes, one of the most powerful showrunners in the television industry and the woman who created the hit shows Grey's Anatomy and Scandal. Rhimes has mastered the art of what Amanat calls the "oh no," the gasp-inducing moments that pepper her sudsy, kinetic dramas. And when you think about it, Rhimes's TV shows, with their hyper swerves and hurtling dialogue, are a bit like live-action comic books.
"You need the 'oh nos.' That's the beauty of serialized storytelling. That's what Shonda does so well," Amanat tells me.
But Amanat and Rhimes have more in common than a love of drama and the utmost respect for Scandal star Kerry Washington. What Rhimes has done for ABC — create great, diverse work that's gone on to inspire more diversity in the network's programming — Amanat is doing for Marvel.
Since her promotion, her editing duties have been streamlined to Captain Marvel, Daredevil and Ms. Marvel, three books she's very passionate about, to make time for an endless array of strategy meetings. Amanat's goal is to determine how Marvel can evolve and make its superheroes more representative and diverse, and then to ensure that it happens. By doing less hands-on editing, she's able to work with the company on a grander scale and across multiple titles.
The #Karachi Whiz Kid And #Pakistan's First Hand Drawn Animated Flick, The Glassworker via @forbes. @usmanriaz1990 http://www.forbes.com/sites/sonyarehman/2016/02/21/the-karachi-whiz-kid-and-pakistans-first-hand-drawn-animated-flick/#8fadf015e98a …
In 2012, a young, unassuming Pakistani musician from Karachi created waves after being selected as a TEDGlobal Fellow, following the success of his brilliant composition, Fire Fly, which went viral a year before.
Sharing stage space at TEDGlobal – a conference that brings together trailblazers from across the world to deliver inspiring talks – with his idol, the renowned guitarist, Preston Reed, Usman Riaz was quickly propelled into fame.
This year, while still in its initial stages, Riaz’s The Glassworker, Pakistan’s first hand drawn animated production, brings with it the magic and innocence of a Studio Ghibli film.
Judging by the production’s teaser, which was also showcased at TED this year, The Glassworker is an enchanting visual treat.
Little wonder then, the fact that Riaz successfully met his Kickstarter funding goal in just sixteen days, this month.
“I’ve always loved the beauty of glassblowing,” Riaz said, speaking about the production’s concept. “It’s one of those rare art forms where the process of creating it is as beautiful as the finished result.”
Riaz, who stands as the production’s writer, director, and unsurprisingly, composer of The Glassworker’s musical score, began drawing well before his interest in music blossomed. “I’ve always loved art and animation,” the Studio Ghibli fan stated, mentioning that after studying a degree in fine arts, music and film overseas, he felt a strong desire to channel each medium into a work of art.
“What better way than to combine my work in art, music and storytelling than with animation?”
The Big Sick is funny, sweet, original – so why did it leave me furious?
by Hadley Freeman
Too many romcom (romantic comedy) writers celebrate the power of love to cross boundaries, but end up trashing women from their own culture in the process
I went to the screening with a good friend, a British Pakistani woman, and her face at the end was a mix of weary amusement and intense irritation. It’s an emotion salad I know well, because it’s the same one I have felt after too many romcoms and TV comedies made by Jewish men – the ones which ostensibly celebrate the power of love to cross boundaries, but end up trashing women from their own culture in the process.
A running theme in The Big Sick is Nanjiani’s resistance to an arranged marriage, which is a perfectly reasonable position. What is less reasonable is the way all the Pakistani women his parents introduce him to are portrayed as pitiable, interchangeable and wholly conventional, even when they have lived in the US longer than Kumail, who was born in Pakistan. The only one who has potential is played by Vella Lovell, who isn’t even Pakistani but of mixed black and white descent. It’s as if the movie can’t imagine Kumail fancying a Pakistani woman, even in a fictional setting.
Nanjiani has said that the relationship between Kumail’s on-screen brother, Naveed (Adeel Akhtar), and his Pakistani wife present a positive portrayal of an Asian man in a relationship with an Asian woman, but this is disingenuous. Naveed and his wife are depicted as retrograde and dopey; the best Naveed can say about his wife is that she is his “best friend”, which, compared to the hot sexy time Kumail has with white women, sounds pretty dull. The message is clear: to marry a Pakistani woman would, for Kumail, be a surrender, a backwards step.
Jewish women are used to this schtick, thanks to the many, many love stories in which Jewish men are portrayed as exotically desirable while blond non-Jewish women represent the romantic ideal. Woody Allen and, latterly, Judd Apatow have both worked in this vein for decades, and it has long been implied in movies starring Jewish comedians such as Ben Stiller (Meet The Parents) and Adam Sandler (The Wedding Singer). Jewish women are represented as nasal, nagging or simply non-existent – someone to move on from as quickly as possible. In the early seasons of Curb Your Enthusiasm, Larry David’s clearly not-Jewish wife Cheryl (Cheryl Hines) is contrasted favourably with David’s manager Jeff’s wife, Susie (Susie Essman), who clearly is. As the critic Liel Leibovitz wrote in a 2009 essay on this subject, the modern romcom makes it the role of “the non-Jewish woman – a goddess, after all – to extricate her Jewish lover from his suffocating, crass and unhealthy environment and introduce him to her clean, well-lit world”.
American-Indian comedian Hasan Minhaj touches on this trope in his new standup special, Hasan Minhaj: Homecoming King, in which he self-mockingly recounts his teenage hope that he’d be saved by “my white princess”. After Aziz Ansari was criticised for omitting Asian women from the first series of Master Of None, he is shown dating two in the second series, and they are – unlike in The Big Sick – modern and desirable (although he still ends up pining for a quirky white woman).
Five Pakistanis Who Have Taken Hollywood by Storm
1) Kumail Nanjiani
From stand-up comedian to actor, Kumail has already got a few designations under his belt.
The Silicon Valley star took it to the next level and carved more than a mark by writing and acting in The Big Sick – a biographical account of his love story with his (now wife) Emily Gordon. He recently appeared on SNL too – and man, what a speech!
If that wasn’t enough, he will be starring alongside professional wrestler John Cena in his next venture. What more could you want?
2) Faran Tahir
Son of veteran Pakistani actor Naeem Tahir, Faran may not be considered a household name yet but he is definitely familiar to millions around the world. You may recognize him as Raza in Iron Man (2008) or Captain Robau in Star Trek (2009).
The international artist has been a Hollywood insider for over 25 years now and has guest starred in many TV series and films. His debut appearance was in Disney’s The Jungle Book in 1994 as Mowgli’s father. You can currently watch him in the hit American TV Series Scandal.
3) Sharmeen Obaid Chinoy
Named as one of the 100 most influential people in the world by Time magazine, this charmer needs no introduction. She’s earned a couple of Oscars and six Emmys for her work as an activist and film-maker, shedding light on profound issues surrounding women inequality.
She is all set to add another feather to her cap as she recently announced her next project, Look But With Love – Pakistan’s very own reality film series directed by herself.
4) Sameer Asad Gardezi
You can thank this man for the hysterical one-liners in the Emmy-winning hit series, The Modern Family.
The Pakistani-American screenwriter has worked for many big networks including Universal, Nickelodeon and ABC, and is also the recipient of the Writers Guild award for his exceptional writing skills. Sameer is currently writing for his next project, The Goodwin Games.
5) Dilshad Vadsaria
Troublemaker Rebecca Logan in the much-admired TV show Greek, is played by Pakistani actor Dilshad Vadvaria. The Karachi born star was also part of the regular cast of hit TV series, Revenge. Way to go girl!
Pakistani filmmaker is Hollywoods youngest producer
After having already served as the executive producer of the Nicholas Cage and Elijah Wood starrer – ‘The Trust’ and now with ‘The Terminal’, slated for release in late 2017 starring the incredibly talented Margot Robbie in post-production, Habib Paracha bears the title of the youngest Pakistani Hollywood producer.
Habib Paracha is an industrialist, food connoisseur and has most recently added the film producer feather to his cap. Having titled himself a global citizen, Paracha says he is an entrepreneur first. Having his work lauded by many contemporaries in Hollywood, notably his friends James Maslow, Eric Roberts and one of his dear mentors Quincy Jones, Paracha’s journey into filmmaking started off as an experiment and he has been honing it ever since. Having established his footing as a capable and robust new addition to the Hollywood scene, Habib has now set his sights on showcasing Pakistan to his western counterparts.
“I love Pakistan. Pakistan will always be home. I want to showcase my country in all its grandeur to the wider global audience because Pakistan has so much untapped potential which is not available for the world to see. I want to be one of those individuals who make it happen.”
Habib Paracha spends his time between the States and Pakistan and is an alumnus of the esteemed Karachi Grammar School, and Boston University – Habib has most recently launched his new Thai-fusion themed restaurant – ‘Pan Asia’, in Karachi.
Habib Paracha — one of the few Hollywood producers from Pakistan
Habib Paracha is one of the few producers from Pakistan who is representing the country in Hollywood. His advent into production happened by chance but he is fast making a name for himself with productions starring Nicolas Cage, Elijad Wood and Margot Robbie.
Speaking Geo.tv about his journey Paracha said, “Around four years ago, I was in the US when a few of my friends asked me to meet some people in Los Angeles as they thought I’d be a good fit in the film/ production industry.”
After his debut as executive producer for The Trust in 2016 starring Nicolas Cage and Elijah Wood, Paracha’s Terminal released in the United States on May 11.
An avid movie aficionado since his early years Paracha says watching movies is still one of his favourite pastimes today.
The Finance and Operations Management major told Geo.tv that he did not have any experience in the film industry before Nicolas Cage starrer The Trust.
However, after making a name for himself in Hollywood so quickly, he says the number of scripts coming his way have also multiplied.
“I think with two completed titles and two more currently in the works I’m one of the bigger Pakistani producers in Hollywood.”
Although he worked with the same people for his first two projects (The Trust and Terminal) in the US film industry, Paracha shared that he is working with different people for his next two projects.
Currently, Paracha is working on two upcoming Hollywood movies, The Last Full Measure starring Samuel L Jackson and Ed Harris expected to release later this year and Strive slated for release in 2019.
Besides film production, Paracha is an industrialist, entrepreneur and food connoisseur with business ventures in Pakistan and abroad. He told Geo.tv he divides his time 50:50 between Pakistan and America.
"When I’m in Pakistan my focus is largely on the businesses here and any new ventures which I may pursue. When I’m abroad I focus on films," he said.
Shifting focus to the recently released Terminal which was directed by Vaughn Stein and features performances by Margot Robbie, Mike Myers and Simon Pegg, Paracha said, "I got involved [with Terminal] in 2016 over a lunch with Margot Robbie and Tom Ackerley in LA. Subsequently I flew to Budapest in June 2016 and spent a few days on set working with the director, cast and crew. It has been a passion project because the cast involved has been so great."
Terminal follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life. Murderous consequences unravel in the dead of night as their lives all intertwine at the hands of a mysterious criminal mastermind hell-bent on revenge.
Paracha attended the world premiere of the film in the US last week and the film is set to premiere in the United Kingdom in the last week of June.
On which of his films he is more proud of, Paracha said, “Of the two that are completed Terminal is one that I’m particularly proud of. It’s the way the film has turned out. From the lighting to the effects and the chemistry of the cast on screen.”
Delving into details regarding his upcoming projects, he revealed, "Terminal and The Trust are both based on fiction but the next project The Last Full Measure is based on a true story so I’m really excited about that and I feel it will really connect with audiences.”
When asked if he would be venturing into the Pakistani film industry, Paracha said, “I am looking to do projects in Pakistan but I have not set a fixed timeline for them as yet. I am using my current opportunity to learn as much about the process so that I’m better trained and able to leverage the skills into production in Pakistan.”
The Hollywood producer advised all Pakistanis, in every field, film and otherwise, to work diligently and honestly for what they want to achieve.
The young producer of Monstrous and Afterward, set for release between this and next year, Omer Paracha is slowly putting in place plans to make a bridge between Pakistani and Hollywood cinema
Omer Paracha walks over to his garden, where I’ve been seated by the house’s security. “I hope you don’t mind,” he says, telling me that with elders in the family, they’re taking every precaution possible regarding Covid-19. Of course, I don’t mind.
Omer, a young producer from Hollywood, whose debut film — Echo Boomers starring Alex Pettyfer, Patrick Schwarzenegger and Michael Shannon came out last year — seems nothing like your average showbiz producer. He doesn’t walk the walk, or talk the talk of a know-it-all bigshot who’s got it made. There’s a sense of untarnished innocence in the way he explains himself, that’s not really there in the industry. His simplicity, mind you, does not mean that there’s a lack of perspicacity.
A graduate of Lynn University, Florida, where he did his Bachelors and Masters in multimedia and design, Omer learned filmmaking before venturing into production.
Like his elder brother, Habib Paracha, who has produced several films in Hollywood, and whose interview Icon carried last year, Omer doesn’t want to just do films. He has a bigger plan in the works.
“Echo Boomers was my stepping stone to get into the industry,” he says with a sense of candid calmness. “I’m, hopefully, stepping into bigger features.”
Echo Boomers is about five college graduates who, struck down by the debt and bad economy in America, rob the rich (who are insured, by the way) as a way to get even. The film, surprisingly, has engaging performances from Patrick Schwarzenegger (Arnold Schwarzenegger’s son) and Michael Shannon (The Shape of Water, 99 Homes, General Zod from Man of Steel), with a fresh twist of perspective. To the youngsters in the film, it was more about making a statement of the injustices, rather than just stealing, Omer explains. “The film has a millennial-meets-Gen-Z vibe to it,” he says, clarifying that, since the characters are dealing with deep personal problems, the heists felt like a release.
“This was a true story. This actually happened in Chicago to people, they’re in jail now.” The director, Seth Savory, Omer tells me, knew them.
“I guess, I found my niche in realistic stories,” he says, not that he’s saying no to more fictional fare. His next film, in fact, is Monstrous, a horror set in the 1920s, starring Christina Ricci. It’s about a single mother who runs away from an abusive husband and contends with supernatural forces, he explains. The film is in post-production.
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